tv [untitled] February 27, 2012 8:30am-9:00am PST
this is by 1925. a lot of cars, they get pushed back in the backyards of house of lots. so somebody might build a conventional house and just push their old car house in the backyard. this was on 48th avenue in the backyard. it's an old cable car house. guy who lived there in the early 1960's, he had a boyfriend named cliff. they paint it yellow. when he got a new boyfriend named dennis, they painted it red to get rid of cliff. but it was a beautiful little car. he still remembers it. it disappeared, we think, sometimes in the 1970's. but this is what keeps my hopes up. this actually isn't in carville. this is in the richmond district on ninth avenue. people say, are there any car houses left? are they all gone? have they disappeared? this is an example of how one can surprise you. this is on ninth avenue in the parking lot behind the old coliseum theater. before that park being lot was there the city was looking for
houses, spaces, near merchant corridors to create these little parking lots. they bought this house from a mrs. suggs because they wanted to tear it down and put the parking lot in. when they started tearing the house gown, they realized that this kind of boring house was made up of three old cable car trailers. even though the granddaughter who played in the house didn't know that it was made of cable cars, it was hidden behind the stucco. so these little things can surprise you. look at this house. this is in the rear of a lot on great highway. you can't really see it from the street. but if you looked at the front of it you wouldn't think there was anything spemble about it. it's essentially a shingled box. but if you got around to the back of it, you'll see it's actually made of two cable cars and a horse car on the second floor. this is how it's sort of put together. we're look at the backyard here. two cable cars are put together and they basically removed a wall from each to make one large room, a living room. then the horse car is still
complete as a bedroom off to the side. this is photographs -- perhaps the last greatest carville house left. it's really a neat place. so with the cable cars, you know you have that little pop-up roof in the middle. what they did so you wouldn't have to duck is they removed that wall and they pushed up the side roof to sort of make this dome feeling inside. and the seats are original. they're still in there. the little ventilator windows. the woodwork is all in place. it's just really a neat thing. i'd love to live there. i can't afford it. and if you get up into the attic, you can see the crowns of the cable cars still show. it's just an amazing place. so that's my hope, you know, that this book i wrote, this story gets out, we're on sfgov tv. somebody will say, i have a cable car house, nobody asked me. come take a look at it. because right now we're down to one or two maybe that are still around when we're talking about there used to be hundreds.
>> essentially into a generation of tearing them down. no more construction. complete replacement. >> yeah. in the 1910, about 1913, 1914, they really started pushing to get rid of them. when that open block that sutro rented, right on the edge of the sunset, when that cleared out, it eliminated the visibility of carville. we talk about a whole block of car houses that were still there. when that gets replaced by apartment buildings, suddenly you have a car house here, one there. just where people haven't taken the time to tear it out or build a conventional home. in the 1920's or 1930's, things were booming house building wise out there. so if you have a little empty lot that has an old car house on it you'd be stupid not to build a stucco house there and
make a quick buck. by the 1920's, they're mostly gone. there's just a couple here and there. >> so, woody, sometimes the railroad seems to be finding old cars and rebuilding them. have -- are any of these actually rebuilt and used again? >> some of them they have saved because they've popped up now and then. like the ones on ninth avenue. those three cable car trailers. they were saved by ed zelinski who took them and donated them to the maritime museum. think one still sits in a warehouse waiting for somebody to do something with it. but other old cars have been rescued and taken to parks where they've been restored. there's one down in san jose in kelly park. it's an old horse carrie stored that runs around on the weekend. -- car restored that runs around on the weekend. on the one hand, you're in this
foggy neighborhood, there's not much insulation. on the other hand, you've got 30 windows, and the sunshine in the day could just make the place broiling. and at night all of those windows let in the cold. so they advised people to put up curtains. they'd have little oil lamps, coal stoves, little oil/coal stoves. but it was a challenge. it was sort of part of the romance i think. it's like camping. >> how long did the fad last? >> the height of it, this all really takes off around 1897, 1898. the height of it is really the turn of the century. 1900 we're talking about 200 cars. after the earthquake in 1906, that's when it starts declining a little bit because more conventional houses start taking over and more people live permanently year-around. they're not just using it as a party pad. so it's after the quake it starts declining a little bit. >> is there a d.b.i. record as cable cars were moved to a site that there wou
before the earthquake, you often don't have a record. then, yeah, you're right. it goes down to some of these pictures i found by basically finding the names of people who lived in carville and then tracking down their desendends and asking, do you have anything? we had people who said, yeah, lots of photos and stories. but it takes a lot of leg work. it's not like you can just walk into a city department and get that info. >> i know you actively solicit the -- solicited people for stories. there's a wonderful newsletter what is it called? >> it's our organizational newsletter. >> it also has in it a mystery
photograph that maybe somebody submitted. can you imagine where there is? tell us where it is. but also soliciting these histories of photographs and recollections. >> it's history groups. like we're a history group for the west side of town so we interview old-timers and get donations of photographs and stories. and there's other groups like that through the city. it's up to a lot of volunteers and people who care about the neighborhood to track this stuff down. >> so the question about house moving. house moving used to be very common in san francisco. i think you once were looking at that as well. is that right? >> well, we saved some earthquake shots. lawrence helped us get the pormeyit to move them. we pulled out the ledger, you know, with like the official city ledgeser of moving houses. there were tons of them. i don't know, at some point it just kind of petered out and somebody moves a house like once every 15 years now. >> so we in our digital age, issue house moving permits once every couple of years. i pull out this little book.
it's got a piece of carbon paper in it. you put the carbon in and you write, you know, house moving permit number, you know, 36. you say from here to there. we charge a fee. a very low fee. it's really right out of the turn of the century before. >> yeah, it has that dusty, old-school feeling. >> actually, we maintained that. i tried to maintain this little book. we still do it that way. >> would the post earthquake installation of building codes and building requirements have impacted carville to expand? and ultimately was that part of the demise as our desire and need to have structures that were earthquake safe and fire safe? did that have an impact on it, i guess? >> well it seemed more that they were health issues. they were really not happy with the plumbing in carville. yeah. that shows up a lot more than anybody worried about building
integrity or anything. the thing that comes up a little later and we talked a little about, these earthquake refugee cottages. after the 1906 earthquake, the relief corporation that was attending to these refugees built thousands of these small little redwood cottages for the refugees. then when the camps closed after a year, people could take the cottages to these empty lots and set them up. it was a far bigger outcry about whether those were appropriate and what the code would be because most of them weren't put on foundations. they were just dragged out to empty lots. they were combined together. sometimes lifted up off the ground even. so you'd find articles about that far more often than finding anybody having a problem with these cars which were actually pretty sturdy. we talk about they're used as public transportation all the time. they're made of some hefty material. so people weren't too worried about them. at least it doesn't come up with the historical records. >> do we have any left? and how are we recognizing and preserving them?
>> well, there's that one left that's great that we saw the interior of. and that is not a city landmark. the guy who owns it is very aware of its significance as maybe the last and best example of a carville house. he really wants to take care of it. i don't know if he would go forward with any landmark designation just because like a lot of homeowners he doesn't want to be at all boxed in with what he can do. but that's kind of where we are. i think it is a landmark. if anything had to come up, i would definitely nominate it as one. the other examples of carville houses, there's one on 47th avenue where the cars have been basically removed and all you've really got left is perhaps the floors of a couple of cars. it was a great example until, i guess, the late 1950's. and whoever bought house decided to take out most of the woodwork. that might be the only one, the one on great highway. >> i mentioned one of the
problems with plumbing with these carville homes. i was wondering at what point in history did outhouses become illegal in san francisco? >> i'm not sure of that. but outhouses were the big part of carville. you see these early shots. there are outhouses like right next door. >> i found out, when i moved to my current house, my house had been moved from the reservoir site at holly park to where it was. there was a woman, this was 20 years allege, who had seen the move. she was a kid. she described it coming on a wagon, pulled by a mule. it was basically being breaked by the mule. because it was coming down a hill. and that was just information in my neighborhood from a woman who had lived there for a long time as a kid. and the time is getting further and further away from when these existed. but i think the best thing is humans. and maybe tchutch societies that have senior members.
>> yeah. no, if you go to almost -- almost all of our members -- we're a nonprofit organization. so we have a whole membership program. almost all of our members are these kind of people you're talking about. people who grew up in the city, are getting on in years and have these memories. they point us to a lot of other people, people that maybe aren't on the internet who live in their neighborhood. we interview them. if you go to outsideland.org, you'll see some examples of the interviews we do of the feedback we get, of the messages that these seniors post. when we have an issue like we're trying to find out about earthquake cottages or carville, we do put out an all points bulletins to seniors who might have some relation to it, some memory of it. one reason we starteded this organization is the western neighborhoods -- started this organization is the western neighborhoods are the newer neighborhoods in san francisco. the creation and development is in the living memory of a lot of people still. so we want to start this organization and capture those memories before those people are gone.
>> it's a really, really neat thing i think they're history minutes? >> yeah. one-minute videos where we give a little history of some building or site or event. >> we're in seal rock. this used to be adolph sutro's estate. these weren't there then. >> ♪ in the richmond guess i ain't that cool ♪ >> when i was a kid, my father told me those were machine gun nests up there put in during world war ii to fend off japanese attackers. >> these two structures were build in 1943 by the u.s. army. also, these were spotting positions for the big post artillery gun batteries. the stations would work together. say win here and one at fort
funston. using telescopes, they named a ship and target. and the two different sightings allowed them to trianglely position the ship at sea. >> so it was a lookout, essentially >> it was a lookout. >> i doubt if we saw a japanese ship today -- >> it would probably say toyota on the side of it. >> they are really fun. if shows you what can you do in 60 seconds. >> the pri sidot maps. people -- presidio maps. people keep forgetting that the army was a major presence. before the city was functioning, the army was functioning. and there are maps from the 1800's that show the farmhouses in the valley, the eureka valley, and mission district that were done by the army.
so the army is its own resource for the history of the city before there was a building department. they would have everything. you could find out what was the original house in an area. again, this is the 1800's more than the 1900's. but the earthquake obliterated a lot of records. >> there's the survey map that the government did. that's a great resource to just kind of show -- you know, we saw that map on the grid pattern. they had that, like i said, on maps in 1968. but there's no streets yet. but the coast survey map will show you where there are streets put in and buildings sometimes. there's lots of great resources out there. >> that was terrific, woody. thank you so much. >> i couldn't have enjoyed it more. [applause] >> we'll see you next >> the ris
a woman could run for president in new york. >> organizing this conference, basically it modeled itself on a declaration of independence for women. it marked the beginning of the women's equality movement in the united states. >> at that time, women were banned from holding property and voting in elections. >> susan b. anthony dedicated her life to reform. >> suffrage in the middle of the 19th century accomplished one goal, it was diametrically opposed to this idea.
>> many feared it would be corrupted by politics. >> women in the 19th century had to convince male voters that having the vote would not change anything. that woman would still be devoted to the home, the family, that they would remain pure and innocent, that having the vote would not corrupt them. >> support gradually grew in state and local campaigns. >> leaders like ellen clark sgt come repeatedly stopping these meetings -- , repeatedly stopping these meetings as a politically active figure.
doing everything they could to ground the campaign in domesticity. >> despite their efforts, the link made it tough whenever voters were in the big city. a specialist in francisco. >> the problem with san francisco is that women's suffrage as an idea was associated. >> susan b. anthony joined the provision party. a deadly idea in san francisco. liquor was the foundation of the economy. and >> anything that touched on the possibility of prohibition was greatly and popular.
>> the first campaign was a great effort, but not a success. >> the war was not over. less than one decade later, a graphic protests brought new life to the movement. >> women's suffrage, the republican convention in oakland, this time it was the private sector response. 300 marched down the streets of the convention center. women were entitled to be here. >> joining together for another campaign. >> women opened a club in san
francisco. it was called the votes for women club. if she could get the shopkeepers to have lunch, she could get them to be heard literature. the lunch room was a tremendous success. >> it was the way that people thought about women willing to fight for a successful campaign. what happened was, the social transformation increase the boundary of what was possible, out word. >> there were parades and rallies, door to door candidacies, reaching every voter in the state. >> the eyes of the nation were on california in 1911, when we
all voted. it was the sixth and largest state in the nation to approve this. one decade later, we have full voting rights in the united states. helping newly enfranchised women, a new political movement was founded. >> starting in the 1920's, it was a movement created by the suffragettes moving forward to getting the right to vote. all of the suffragettes were interested in educating the new voters. >> non-partisan, not endorsing candidates >> -- endorsing
candidates, getting the right to vote and one they have their voice heard. >> the 100th anniversary of women's suffrage is taking place throughout the state. bancroft library is having an exhibit that highlights the women's suffrage movement, chronicling what happened in california, bringing women the right to vote. >> how long does this mean going on? >> the week of the 20th. people do not realize that women were allowed to vote as early as the 1920's. in the library collection we have a manuscript from the end of december, possibly longer. >> in commemoration of 100 years
to show just how easy it can be to do just that, we have come up with something called the farmers' market challenge. we find someone who loves to cook, give them $20, and challenge them to create a delicious meal from ingredients found right here in the farmer's market. who did we find for today's challenge? >> today with regard to made a pot greater thanchapino. >> you only have $20 to spend. >> i know peter it is going to be tough, but i think i can do it. it is a san francisco classic. we are celebrating bay area food. we have nice beautiful plum tomatoes here. we have some beautiful fresh fish here. it will come together beautifully. >> many to cut out all this talk, and let's go shop.
yeah. ♪ >> what makes your dish unique? >> i like it spicy and smoky. i will take fresh italian tomatoes and the fresh seafood, and will bring them to other with some nice spoked paprika and some nice smoked jalapeno peppers. i am going to stew them up and get a nice savory, smoky, fishy, tomatoy, spicy broth. >> bring it on. how are you feeling? >> i feel good. i spent the $20 and have a few pennies less. i am going to go home and cook. i will text message u.n. is done. >> excellent and really looking forward to it. >> today we're going to make the
san francisco classic dish invented by italian and portuguese fishermen. it'll be like a nice spaghetti sauce. then we will put in the fish soup. the last thing is the dungeon as crab, let it all blend together. it will be delicious. when i could, i will try to make healthy meals with fresh ingredients, whatever is in season and local. those juicy, fresh tomatoes will take about an hour to cook down into a nice sauce. this is a good time to make our fish stock. we will take a step that seems like trash and boil it up in water and make a delicious and they speed up my parents were great clerics, and we had wonderful food. family dinners are very important. any chance you can sit down together and have a meal together, it is great communal atmosphere. one of the things i like the most is the opportunity to be creative. hello. anybody with sets their mind to it can cut.
always nice to start chopping some vegetables and x and the delicious. all this double in view is this broth with great flavor. but your heart into it. make something that you, family, and friends will really enjoy. >> i am here with a manager at the heart of the city farmer's market in san francisco. thank you for joining us. tell us a little bit about the organization. >> we're 30 years old now. we started with 14 farmers, and it has grown out to over 80. >> what is the mission of the organization? >> this area has no grocery store spiller it is all mom-and- pop stores. we have this because it is needed. we knew it was needed. and the plaza needed somebody. it was empty. beautiful with city hall in the background. >> thank you for speaking with us. are you on the web? >> yes,